Last week I attempted to negotiate with two independent bookstores to host an author reading/signing event for me.  One of the bookstores currently carries Murphy’s Troubles on consignment; the other is out of state, in Omaha where our son lives.  I had made the assumption, maybe leap of faith, that there is a natural bond, relationship between independent authors and independent bookstores.  I frankly was under the naïve notion that all I needed to do was ask for a date and like magic, I would be scheduled.

Both bookstores routinely host author reading events.  My local indie bookstore often hosts at least one event a week.  To be honest, the local indie bookstore specializes in a specific genre and Murphy’s Troubles doesn’t fit their specific niche.  The local bookstore does support Wisconsin authors and in fact has an entire bookcase devoted to Wisconsin authors where Murphy’s Troubles shares self space.

I found it interesting that in discussing the potential for an event both owners asked if I could guarantee an audience of 20-25 readers at the event.    That doesn’t sound like a roaring crowd but I was startled at the question.  I have participated in four events to date and the largest crowd I had was 16 people, which I considered a fantastic turn out.  One of the bookstore owners explained that their experience was that advertising and promoting an event didn’t bring in readers – the author brings in readers.  

From the book store owners’ perspective the purpose of an author event is to bring in traffic to the store.  The hope is that attendees will buy the author/presenter’s book at a minimum and hopefully browse and purchase other books.  I’ve witnessed this phenomenon myself so it’s not some pie in the sky idea, it is reality.

I was honest with both bookstore owners and admitted that I couldn’t guarantee attendance of 20-25 readers with credit cards burning to be used to make $50 in purchases.  My honesty means I won’t be scheduled for a reader’s event at either bookstore.  I don’t really consider their request unreasonable.  However, it is sad.  Even independent bookstore owners must be risk averse and not support independent publisher/authors just because it’s the right thing to do. 

Book Review for

 

MURPHY’S TROUBLES

By

Rex Owens

 

Propelled by insatiable grief, patriotism, and youthful naivety into a decades-long double life, a popular Irish author’s secret ties to the Irish Republican Army finally implode in Murphy’s Troubles, Rex Owen’s soulful political thriller.

A Catholic from far southern Ireland, Ian Murphy joins the IRA after the violent death of his childhood friend, an IRA volunteer fighting to liberate Northern Ireland from British rule.

But after thirty years of living as both a best-selling novelist and the secret author of an infamous IRA training manual and other published IRA propaganda, Ian’s dual existence is upended by family tragedy and a lover’s betrayal.

Some of the story’s most wrenching scenes come as Ian’s lover, a married, aggressively professional, award-winning newspaper journalist, stumbles upon his secret and must weigh whether to share it with the world. The couple’s subsequent confrontation, in a dank pub cellar, is rawly emotive. 

Emotions run deep, in fact, throughout the story, as Ian deals with other deaths, the accidental maiming of his young niece in an IRA bombing, the demise of his affair and bitter recognition of the role he has played in the IRA-related deaths of thousands of people. His tortured existence is further complicated by an increasing propensity to drown his sorrows in alcohol.

Ian’s struggles, however, lead him to chart a new course, working for peace rather than violent confrontation. Love – and love lost – can cloud our minds but can also clarify, is the message.

The story charts the characters’ motivations for setting their lives on a particular course, the hard choices they must make to stay on that path or divert from it, the courage required to do either, and the repercussions of it all.

Owens does his homework, offering a credibly researched, albeit fictionalized, primer on the IRA and its place in Irish history. Historical context is woven into the novel in a clear, concise way that will appeal to readers in and outside of Ireland, including those only marginally familiar with the country’s politics and past.

The novel could have been improved by clarifying one key point in the plot’s chronology, a scene early on in which Ian, in despair after his niece is injured, crashes his car into a British barricade. Owens places enough importance on this explosive crash to lead the novel with it. But did it occur before or after his lover’s betrayal? That’s never clearly stated, even in careful retracing of the text. Recapping this scene by coming fully back to it, rather than leaving its place in the overall course of events to the reader’s imagination, would have brought the story full circle and might have lent important context to Ian’s mindset.

This omission isn’t fatal, however, to this otherwise excellently researched and well-penned, deeply human story about life-changing decisions, reverberations and the potential for renewal.

-Inkspots Reviews

I’ve always been a person that need a carrot out in front me, like a reluctant horse, to get me to move along.  My wife likes to say I’m goal oriented.  That’s kind but the truth is that without something to grasp for I fall into lethargy.

Earlier this year I gave myself the goal of finishing the first draft of my second novel.  I knew, in general, what I wanted to write but I was plagued by the lack of a writing routine and a concrete idea of what meant in daily work.

I decided that “second novel” was too vague.  I felt comfortable with writing about 80,000 words in MURPHY’S TROUBLES, so I made that my goal for the second novel.  Next, I needed a specific target to aid it, 2014 for completion was too vague too.

For no particular reason, I decided I wanted to finish the very ROUGH draft by November 30th.  My previously shapeless goal was not taking on a real form.  For years I have used a seven day week as my work unit.  I learned a method based on a Stephen Covey book to set a goal that needed to be completed in a week, and then figure out what needed to be done to meet that goal.  The last step was to create blocks of time to work on the tasks that would result in a completed goal.

To write 80,000 words by November 30th would mean slugging out about 1700 words a week. Unfortunately, I had false starts the in January and February and part of March, meaning I now had only 38 weeks to write my 80,000 word novel.  I need to write about 2100 words a week to make my goal.  Now that’s something you can bite your teeth into.

I purchased a big white board calendar and put my week goal in large numbers at the top.   Each day I write on the board how many words I’ve written.  To date, I’ve cranked out over 18,000 words a week, about double my goal!

Shizam!  It’s working.  I’m now confident that I’ll make my goal, I can relax. My creativity and imagination are in high gear and I’m enjoying the writing without stress.  That’s the POWER of a goal.

           

On April 4-6 the UW Madison held its’ 25th Annual Writers’ Institute.  I have been attending the Institute each year since 1997 so this was my 18th year.  Last year I was honored to participate on the Success Panel to share with attendees my experience publishing articles with The Writer Magazine.

This year I was able to sell my debut novel, MURPHY’S TROUBLES, at the mid-day Book Sale on Saturday.  Imagine having over 300 writers look over your book and considering buying it.  The room was huge for the Book Sale, with 45 authors competing for sales.

Initially I was asked to share a 24”round table with another author.  He hauled out two 8 ½ x 11 plaques and three books and placed them on the table, leaving me no room for my books and book marks.  I tried asking politely to have him display one book and one placard.  He didn’t budge.  Then I demanded that he remove all but one placard and one book.  He grunted and complied.

Before I turf war worsened he was moved to his own table.  I brought only 10 books to sell, expecting to sell none.  I didn’t have a fancy display, just my books and some book marks.  People passed by without saying a word and making direct eye contact didn’t work to gain their attention.

Next, as people passed by I offered them a book mark.  The book mark is a replica of my book cover and people would begin to read the back of the blurb on the book mark.  I then handed them a book suggesting it would be easier to read.  It worked.  When a person read the blub, it leads to questions and soon we were engaged in a lively conversation.

Competing against 45 other authors, some famous like Michael Perry, I sold 5 books.  I also talked with very interesting people who shared their experiences of traveling in Ireland with me.  One woman shared the story of how she was trapped in Northern Ireland with her parents because the border was closed at night.

Meeting other authors, hearing life stories and selling a few books, it doesn’t get any better.

Recently I heard a report on NPR about reading in America.  Since I was driving while listening to the report I wasn't confident I heard what I thought I did.  So, in the week the world wide web turned 25, I searched on Google for "reading statistics."

This is what I found:
    - Percent of U.S. high school grads who will never read a book after high school               33%

    - Percent of college students who will never read a book after they graduate                     42%

    - Total percentage of U.S. families who  did not buy a book in 2013                                 80%

Fortunately, several weeks ago I met with a local book club to discuss my novel, Murphy's Troubles.  I was invited to attend their discussion and was even asked to lead the discussion.  I prepared background material on Ireland, talked about my path to write and publish the book and then prepared a series of questions to spark discussion.

Two members of the group had traveled to Ireland and two others had Irish heritage.  I asked the members to be frank with me because that's how I grow as a writer.  They were frank but not unkind.  I was surprised how some of the club members reacted to various characters in the novel. We talked together for just over two hours.

As an author there is nothing better than sharing the experience of your book with readers.  The data shows we are not a book reading nation, however, there are enclaves of book clubs that maintain a fierce devotion to books whether hard copy, trade paperback or ebooks.

It's generally accepted that during the Dark Ages Irish monks saved the knowledge of Europe by copying and maintainng books.  Book clubs are keeping reading and discourse alive and well and by doing so saving the world.

I am working on my second novel and having a bad time of it.  Writing my second novel some days I feel like Sisyphus.  My first novel took fourteen years to write and I worked on in in bits and pieces with UW-Madison Writer's Institute classes; UW-Madison's Weekend with your novel; , UW-Madison's critique groups; and, UW-Madison's Writers by the Lake.  I did it this way because I was still in the work-a-day world and used these special classes to devote myself to writing in short, intense bursts of learning, energy and creativity.  In those days I thought being free from the stardard job would be a panacea for my writing life.

My career ended abruptly one Friday morning when I learned that my managers' salary was dragging the company I worked for into the financial abyss, twelve others got the same news that day.  I am fortunate to have a pension so financial security was ensured and I saw this change as my chance to finally finish my first novel.

Murphy's Troubles was published in November 2013, it had taken four years.  I've finally settled on what to write for my second novel, only because the protagonist, Ian Murphy scolded me in a dream and said he wasn't finished telling his story.  My working title for the second novel is:  There Was Sadness, There was Joy.  As I began to write I discovered I don't have a writing routine.

I have complete control of my time and yet I struggle to develop any sort of writing routine.  The entire book is in my head, of that I am certain.  I found myself obsessing with chapter one, which has been written and re-written at least 25 times.  There is some part of me that has to have the first chapter exactly right before I can move on.  So, I'm accepting that as part of my writing routine.  I've also been indecisive about point of view, that demon that haunts me whenever I splash a work across the screen of my lap top.

Just this week I've settled on first person point of view.  While some consider it limiting, it allows a more personal, in depth story.  I want to see the world only through Ian Murphy's eyes because that's the only way I can convey it on the page - the way Ian wants the story told.

I will be working on having a writing routine for a long time to come.  Who knows, maybe my routine is not have a routine.  I know there's a lot of advice to just sit down at the keyboard every day, same time, and do my thing.  That approach seems to be common among writers.  For me, it doesn't feel right; maybe I'm fighting the self-discipline it takes.

So, a lot of days I feel like Sisyphus, pushing the boulder up the mountain only to watch the boulder roll down and do it again tomorrow.    

A few weeks ago I was talking with a friend about a book that our community will read together.  Our library director is initiating a program called Sun Prairie Reads this year which kicks off in late March.  The book selected is a young adult fiction, Seedfolks, by Paul Fleischman which is a Newbery Medal winning novel.  I talked about the structure of the book, how the story built into a crescendo and how characters lives were woven together.  My friend looked at me and said:  "As a writer you read differently than I do.  I just liked the story."

His comment caused be to reflect on my reading life.  He was right, having completed the process of writing, editing and publishing a novel I do read differently that I did before that experience.  In the past I consumed Ray Bradbury novels, not for the science fiction, but the story.  I'll read any Wallace Stegner for his language and common life stories like going home after a lifetime away and learning about yourself.

When writers are asked for advice they often say that you need to read, deeply, exhaustively, in all genres.  In many ways this advice is self-evident.  I can't imagine a writer who doesn't also love to read.  I must confess that I don't read all genres.  I skip erotica, non-fiction, paranormal and dystopia just from personal preference, no judgment intended or implied.  I tendy to rely on my Tuesday Morning Book Club to introduce me to literature I might not choose for myself and that has proven very satisfactory.

This month I read my first Russell Banks, Continental Drift.  I don't know how I reached my age and be ignorant of Russell Banks.  Continental Drift was nominated for the Pulitzer and if I had voted it would have won.  I must admit that the point of view Banks uses initially confused me.  I felt like I was watching a movie about Robert Raymond Dubois and Vanise Dorsinvilles.  For perspective I contacted my friend and mentor Marshall Cook.  He suggested that the point of view was intentional because both characters often are just observers in their own life.  Eureka!

Reading Continental Drift taught me a lesson as a writer.  I'm working on my second novel and my worst problem, point of view, has reared its' ugly head in chapter one.  Reading Banks' book gave me a solution to my point of view problem.  So I agree with my friend that, as an author, I do read books from a wrtier's perspective, and that's just fine.

Since Murphy's Troubles was launched last November 18th I have been on a marketing roller coaster.  I was astonished at the local support I received.  Both our local coffee shop, Beans n Cream and the Sun Prairie Public Library agreed to host author book signing/reading events.  They also collaborated to design and print a poster advertising the events, I handled the distribution.  Our local newspaper, The Star, agreed to an interview and published an in-depth four column article announcing my book release. 

Yet, my presence in th internet world is almost non-existent.  I've had my website for several years and have been blogging once a week for a year.  I paid a consultant to review my website and made a lot of changes that resulted in about a 25% increase in hits.  It was worth the expense.

In January I took the time to develop a detailed marketing plan for myself.  Right away I learned about myself that my goal wasn't to sell books, my goal was to attract readers.  Really, the motivation to write is to have readers.  I have discovered there are numerous services to help independent writers/publishers but they all cost money.  Of course, the big wad was spent in bringing Murphy's Troubles into the world so there aren't a lot of resources to invest in marketing, which is a class catch 22.

I developed the strategy that the cost of any marketing dollars must be recovered through book sales.  Sounds like a rational policy.  Then I was talking with a consultant I trust and she said I could take that approach butr I had to realize I'm an unknown author and the effort to become known will cost money.  She was right and I knew it.

In my marketing plan my original goal was to devote at least five hours a week on direct marketing activities.  I also have the goal of finishing the first draft of my second novel this year.  In part, these goals were in conflict.  Part of my time devoted to finding readers for the first book while also devoting creative time for my second book.  I kept a calendar to record the hours I spent marketing and soon found myself a slave to that calendar.

By chance I found a blog, The 7 Worst Mistakes of the Indie Author and How to Fix Them by Joanna Penn March 4, 2012.  The seventh mistake is focusing everything into one book.  Her point is that yes, an author needs to market that first book but must remember that we're writers and not lose focus.  "Obsessing over marketing one book isn't as important as getting on with the next."

Eureka!  Now my marketing goal is to focus on one specific marketing activity a week and devote the majority of my time to writing my second novel.  It feels right.  I've found balance.  Thank you, Joanna Penn for blogging about your writing experience.    

As a first time published author there are a lot of thrills.  Now it’s been about eight weeks since MURPHY’S TROUBLES became available on Amazon.  While some authors disparage book readings and signings I found them exciting and having feedback from readers is fascinating and educational.

In the last few weeks I’ve received several responses from readers, all people I know, that have been special little gifts.  One friend let me know she’s read through chapter seven this week and she e-mailed that I had “captured” her.  Another is an AARP advocate colleague.  He e-mailed me that he purchased my book on Amazon and was enjoying a good read during a frigid Wisconsin winter.  I never expected a person I’ve worked with in AARP to also become a reader.  Finally, one of the staff at Beans n Cream Coffeehouse told me she bought my book for her Dad for Christmas.  She wanted to let me know her Dad started reading on Christmas day, has finished the book and is passing it along to other family members.

Finally, I received an e-mail from my college roommate (yes, we still stay in touch).  He let me know he also bought my book on Amazon and would be giving me feedback soon.  He lives in Maine and with the extreme winter blizzards, if he has light and heat, he’ll have time to read.

Originally, I was terrified of what people who read the book might say to me.  I have been surprised at how kind and generous people have been. 

What experiences have you had when readers respond to your work? 

I have subscribed to The Writer Magazine since 2001 and it has been published since 1887.  I’ve been fortunate to have two articles published in The Writer (May 2012 and September 2012).  The February 2014 issue has a story by Neil Evans, “For a living”.  One sentence in the article grabbed by attention:  “Writing is an act; being a writer is a state of mind, a lifestyle, a necessity.”  By his definition Evans claims he isn’t a writer but he does earn his income from writing, working as a web content editor.

In an age of e-mails, e-zines, blogs, tweets, and content writing we have stretched what has been traditionally meant to be a writer.  I enjoy writing a weekly blog and a monthly feature in the e-zine Extra Innings; however, my first love is the novel.   In reflecting on the direction I want to take in 2014 Evans’ definition of a writer is critical.

For years I dreamt of being a writer.  At first I thought that if I was paid for my writing, I would be a writer.  I achieved that goal in 2010 but still didn’t view myself as a writer.  Then I decided I would be a writer when I published my first novel.  I achieved that goal in November 2013.  Yet, something was missing; I continued to struggle with the notion that I am a writer.

The missing element is in Evans definition:  “. . . being a writer is a state of mind, a lifestyle, a necessity.” In 2014 I plan to give myself the freedom to explore being a writer with this definition in mind.  Recently, I helped a friend polish his musical comedy, tightening the story, giving color to characters and tying up loose ends in the last act.  His focus was the music, not the story.  He asked me one day how I came up with the changes I suggested.  My response, without thinking was:  “That’s what I do.”    

There is some debate on the meaning of the expression; “cast the die”, some say the origin is Julius Caesar.  I prefer the version deeply rooted in metallurgy when molten metal was poured into a mold or die that would form an object once the metal cooled.  In 2014 I’m casting the die to have the freedom to live a writer’s state of mind, a lifestyle and accept the necessity of writing in my life.